
Will Ferrell and Kevin Hart headline this Warner Bros. comedy about a wrongfully convicted investment banker who prepares for prison life with the help of the man who washes his car. Etan Cohen directs, with Ian Roberts and Jay Martel handling screenwriting duties. ~ Jason Buchanan, Rovi
About Get Hard
Artist : Alison Brie, Will Ferrell, Kevin HartAs : James King, Darnell Lewis, Russell
Title : © Legal View Get Hard Online Gratuit
Release date : 2015-03-27
Movie Code : 2561572
Duration : 02:01
Category : Comedy
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Anal rape jokes and racial stereotypes dominate this third-rate comedy.

A movie that refuses to recognize when it's going too far, with its wince-eliciting jokes about jailhouse rape in particular.

I laughed when Ferrell smashed a bottle of beer on the sidewalk, just to show he's tough, but if that's a movie's standout bit, that movie's no standout.

Hart and Ferrell may not be Pryor and Wilder, but they score several laughs in this slim comedy.

Will you laugh? Absolutely. Could this have been a better film? Definitely.

There's a daring comedy somewhere inside writer Etan Cohen's directorial debut, which simultaneously trivializes and solemnizes the prospect of prison rape.

Get Hard turns out to be a far cry from something like Trading Places or even the clever first half of the class-insurrection comedy of Tower Heist.

Get Hard is hard to sit through and hardly funny.

Get Hard is one limp noodle.

Subtly, not in a way anyone would notice without looking for it, the movie switches back and forth, giving each comedian a chance to be the funny one and the other to lend support.

From its juvenile double entendre title to its fascination with prison rape and homophobic humor, "Get Hard" practically announces itself as an offensive, tired and unimaginative comedy in nearly every scene.

Dumb, juvenile comedy has its place when it's funny. Unfortunately, too often in Get Hard, it's not.

It already seems more dated than Trading Places - not to mention less savvy about all the subjects it pretends to be addressing while it tries to make us laugh.

"Get Hard" isn't edgy enough to be offensive or witty enough to be challenging. It's just dumb.

This is a horrible idea for a movie. It is, however, a decent idea for an extended sketch, and that's how the first two-thirds of the movie plays.

Since anyone who has seen the trailer has already seen many of the film's best moments, making it through to the end does feel like something of a life sentence.

It trucks in stereotypes (black, white, Latino, female - the list is long) and plays clumsily with sexuality. Still, the movie's greatest and altogether familiar sin is that it's stupid.

Only the humorless will frown at Ferrell's easy way with white-guy entitlement. "I'm going to be attending San Quentin," the Harvard grad sniffs, almost as a point of pride; later, after tasting thug life, he calls it an "ambrosia of primal sensations."

The dubious merit of tiresome "don't drop the soap" jokes aside, "Get Hard" sometimes veers perilously close to committing the very sins it aspires to criticize.

A confused and contradictory mess.

Not entirely unfunny.

It's still ultimately a disposable work, but at least while it's going, it hits hard.

A lazy attempt to drag out a Funny or Die-style skit to feature length by continuously recycling about eight minutes worth of gags.

It's tricky territory to tread, and Get Hard doesn't always get it right, but in a nation where racial and economic divides are growing issues, it deserves credit for trying.

Laughter trumps political fairness; and Get Hard made me laugh at, and with, situations I hadn't thought could tickle me. The movie has a warm heart beating under its seemingly scabrous shell.

The movie seeks to make you laugh while also risking offense by going too far. It succeeds on both counts.

With Ferrell and Hart involved, it's probably impossible for anyone to completely resist their baser instincts to be amused by the patently offensive. Though it's hard not to wish more moviegoers would.

Get Hard is not only a bad movie but a profoundly wasted opportunity.

Ferrell has stuck to the formulaic farce that made him a star, even as his roles have been shifting from antic instigator to bewildered straight man.

It feels like a bunch of off-color jokes the filmmakers have been trying to tell for years, and they've crammed them all into one film - with tiresome results.

The germ of an interesting idea in Get Hard is completely overshadowed by the onslaught of jokes meant to be boundary-pushing and edgy.

The film's numbing lack of intelligence, exhibited from the start, makes "Get Hard" tough to watch, even by Hart/Ferrell standards.

Before the movie has even really begun, it's already fudging its own premise and undermining its satire.

Ideally, this would be Blazing Saddles for folks who chug kombucha. Yet it's harder to satirize race today than it was 40 years ago - more sensitive times impose gentler jokes.

"Get Hard" is worth a look for fans of Will Ferrell and Kevin Hart. And the two do work well together. But anyone with a low tolerance for politically incorrect stereotyping and lowbrow humor should sit this one out.

Funny bits come along every now and then, and the co-stars work desperately hard for their salaries. But the spectacle is depressing for what it says of mainstream studio standards.

If you're disturbed by white-collar crime, but not quite as disturbed as you are by gay sex, then congratulations: You might possess just the right combo of social conscience and unexamined homophobia needed to fully enjoy Get Hard.

The highest praise I can give "Get Hard" is that it is not quite as awful as it could have been.
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